Richmond Centerstage

I’ve been there for a show and thought it was okay for a small venue, however, below is what just happened there. I’m not going to be supporting this venue in any shape or form from this time on till they fix their attitude. So sad.
From my friend’s post:
«Sadly Richmond CenterStage I won’t be able to spend any more money with you as this afternoon your security guard refused to allow me to breast feed my 20 day old baby in your lobby while my family was ice skating. I guess she felt that the better option would be for me to sit outside in the freezing cold to feed my daughter. Such a pity bc my family really enjoyed seeing the Nutcracker and looked forward to seeing other performances there. However, I refuse to give my hard earned dollars to companies who don’t support breast feeding. And I’ll be sure to let my friends know this as well. Maybe you should educate your employees on the benefits of breast feeding. Sincerely, A Very Upset Disappointed Mama.»
Update from the said friend:
Hey friends here’s an update from what happened at CenterStage this weekend. This morning someone from the front office called me (before I’d even had a chance to call– thank you social media and friends who know people!) I explained the situation to her and she assured me that this person was acting out of turn. She explained that their security is contracted out so it wasn’t someone who worked directly for CenterStage. They were so apologetic and definitely said this is not their policy. She said in fact they have a room that they should have shown me to that they have set aside to give mom’s privacy. So no need to call 12 on your side. They are tracking down this security person and making sure that appropriate measures are taken to make sure she knows their policy.
Second update: the operations manager also called me and was so apologetic and upset that this happened. She again assured me that this is not their policy and just could not believe that this happened.
Thank you CenterStage for acting so swiftly!
**good job CenterStage for taking ownership and responding quickly! You’ve earned back some stars

2^nd Annual CVJO Concert
The Central Virginia Jazz Orchestra has been performing around Richmond, VA for seven years and just keeps getting better. Last year’s concert (on 3÷27÷2011) in Rhythm Hall at Center Stage featured the music of Frank Foster, who attended and was honored by Richmond’s City Council with «Frank Foster Day» and the Richmond Jazz Society which printed the programs. It would be hard to top that concert, but this year’s event was just as good. This venue is comfortable and has amazing acoustics plus the sound crew’s efforts paid off, producing a quality session that deserves a five star review!
Director, Dan Borlawsky, (alto sax) put together a fine group of local players to perform a diverse selection of big band charts that thilled their audience on 3÷25÷2012. The rhythm section with Charlie Kilpatrick on piano and Carter Blough on bass grooved plus the horns were tight and the featured singers were icing on a musical cake. The program included an obscure composition by Sammy Nestico called «Marguarite» plus a beautiful ballad, «Chelsea Bridge» by Billy Strayhorn. Hank Levy’s «Pegasus» is originally from the Stan Kenton library.
Next, Laura Ann Singh sang «Fly Me to the Moon» by Bart Howard and «Do Nothin’ Til You Hear From Me» by Duke Ellington. Her versions of these jazz standards prove that she is both a student of the genre and an original stylist. Johhny Mercer’s «Laura» (from Dr. Zhivago) featured lead trumpeter, Larry Hart. Then Cole Porter’s «In the Still of the Night» featured drummer, Todd Woodson. These two players are magnificent examples of real professionalism!
The same thing can be said for Lawrence Olds, who presented Hoagy Carmichael’s classic «Georgia» with an elegant ease plus «Day In, Day Out» with phrasing like Frank Sinatra’s. Guitarist, Steve Young nimbly played the beginning of Johnny Mandel’s «Emily» before the band waltzed away with the rest of the tune. An exciting variation of Sweet Georgia Brown called «Sweet Georgia Upside Down» was a good choice to end the first half.
During intermission there were drinks available from a bar and lots of high spirited conversation among the guests and the musicians. The performance space is just right for an ensemble and audience of this size. A good set deserved a good break. However, the next set was great fun because of the comraderie and the relaxed mood.
«No More Blues» by Antonio Carlos Jobim got the second half off to a great start because the arrangement called for wonderful dynamics from soft to loud plus the soloists used them to their advantage also. Lawrence Olds returned to the microphone for «Every Day (I have the Blues)» plus the ball room favorite «Where Or When». He can really swing and his voice has a deep, soulful resonance that appeals to any listener who can relate to loneliness and love.
An instrumental rendition of «Like Someone in Love» by Jimmy Van Heusen kept the musical energy up preceeding Laura Ann Singh’s return for a couple of songs sung in Portugease. Brazilian music is her specialty and she totally demonstrated her artistry in «Doralice» and «Triste». Her sweet supple voice captured the nuances of the bossa nova while expressing some of the universal aspects of love and loneliness.
Rounding out the program was «Show Me the Way to Go Home» in several keys and the Tonight Show Band arrangement of Glenn Miller’s hit, «In the Mood» as an encore. Tenor sax/​flute player, Allen Burris took several notable solos throught the show as did that shaved headed trumpet player. Now I’m looking forward to next year. Bravo CVJO!

Downtown is still a work in progress, but the newly renovated Carpenter Theatre at the CenterStage complex is a giant leap in the right direction. I love all of our old theatres, quirks included, but it’s nice to have a spanking new space for concerts. The Richmond Symphony, Ballet, Opera and Broadway series all use the space, and there are smaller venues including the Gottwald Playhouse and Rhythm Hall, as well as an art gallery and education center. If you haven’t caught a show here yet (yes we still love the Mosque!), you should.